Dublin, 10-12 May 2012
The image of the 'land' is an ongoing trope in both past and contemporary conceptions of Canada, from the national anthem, to the flag, to the symbols on coins, the land and nature remain linked to the Canadian sense of belonging as well as to the image of the nation abroad. Linguistic landscapes reflect the multi-faceted identities and cultural richness of the nations. If earlier portrayals of the land focused on a rugged, unspoiled landscape, such as in the paintings of the Group of Seven, contemporary notions of identity, belonging and citizenship are established, contested and legitimized within sites and institutions of public culture, heritage and representation that reflect integration with the land transforming landscape into landmarks. The Highway of Heroes from the Trenton military base, Grosse Île and the Irish Memorial National Historic Site in Québec, the Museum of Civilization in Ottawa, The Rooms in St John's Newfoundland and Ireland Park in Toronto, are examples of landmarks that transform landscape into a built environment that endeavours to respect the land while using it as a site to commemorate, celebrate and promote Canadian identity. Similarly, in literature and the arts, the creation of the built environment and the interaction among those who share it is a recurrent theme.
- The land and landscape in the arts and literature
- Linguistic and cultural landscapes within the official bilingualism of Canada
- Spaces of memory and testimony
- State museums/institutions and representations of citizenship, identity and belonging
- Political management of the land and landscape
- The transformation of the built environment and of public spaces
- History, geography, heritage and the land and landscape
- Public spaces as sites of difference and diversity
- Diaspora, migrations, uprooting and ‘heritage’
Abstracts
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